Maytag – 20.5 Cu. Ft. Top Freezer Refrigerator with PowerCold Feature – White Ice
Maytag – 24″ Front Control Built-In Stainless Steel Tub Dishwasher with Dual Power Filtration, PowerBlast Cycle, 50 dBA – Stainless Steel
Maytag – 25 Cu. Ft. 36- Inch Wide French Door Refrigerator with PowerCold Feature – Stainless Steel
Maytag – 25 Cu. Ft. French Door Refrigerator with PowerCold Feature – Black – Black on Black
Maytag – 25 Cu. Ft. French Door Refrigerator with PowerCold Feature – White – White on White
Maytag – 25 Cu. Ft. Side-by-Side Freestanding Refrigerator with Humidity-Controlled FreshLock Crisper – Fingerprint-Resistant Stainless Finish
Maytag – 28.7 Cu. Ft. Side-by-Side Built-in Refrigerator with Arctic Blue Interior – Stainless Steel
Maytag – 4.2 Cu. Ft. High-Efficiency Top Load Washer with Deep Fill Option – White
Maytag – 4.5 Cu. Ft. High-Efficiency Stackable Front Load Washer with Steam and Fresh Spin – White
Maytag – 4.8 Cu. Ft. High Efficiency Stackable Front Load Washer with Steam and Fresh Hold – Metallic Slate
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.